Jazz Archives

When it comes to avant-garde jazz/rock noise, few bands kicked out the jams better than did Last Exit. A who's-who of jazz players with punk-ass attitudes, Last Exit -- guitarist Sonny Sharrock, bassist Bill Laswell, drummer Ronald Shannon Jackson, and saxophonist Peter Brotzmann -- could swing, rock, and create an all-out free-jazz din all in the blink of an eye. More important, Last Exit was about was the thrill and danger of total improvisation; so much did they believe in this concept that their debut performance in Zurich in 1986 was completely improvised and unrehearsed. Granted, one person's free improvisation is another's tuneless chaos, but Last Exit, due primarily to the skill of its individuals, only infrequently fell off the precipice into the netherworld of arty wanking. These were four men that emotionally, intellectually, and musically belonged together: Sharrock had gotten his start playing blues, but rebelled against structured, proper guitar technique, preferring to play sheets of atonal metallic distortion; Shannon Jackson grew up playing Texas blues, but through working with players such as Blood Ulmer, explored a percussive world that was not regimented by time and meter; Bill Laswell played and produced rock, funk, and "straight" jazz, and in Last Exit he mashed all of these influences into one feral ball of noise and rhythm; and Peter Brotzmann didn't simply blow sax, he blew it to bits as if his life depended on it.

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:::Review by John Dougan@allmusic.com:::

Last Exit - Iron Path (1988)

1. Prayer 4:37
2. Iron Path 3:28
3. The Black Bat (For Aki Ikuta) 4:33
4. Marked for Death 2:19
5. The Fire Drum 4:18
6. Detonator 3:47
7. Sand Dancer 1:56
8. Cut and Run 2:30
9. Eye for an Eye 4:54
10. Devil's Rain 4:12

Credits
Bass - Bill Laswell
Drums - Ronald Shannon Jackson
Engineer - Martin Bisi
Guitar - Sonny Sharrock
Mastered By - Howie Weinberg
Photography, Artwork By [Front Cover Design] - Thi Link Le
Producer - Bill Laswell , Last Exit
Saxophone [Bass] - Peter Brötzmann

In the mid-'80s, Bill Laswell had a great idea. Why not combine rock's raging rhythms and volume with free improvisation's unfettered creativity and ferocity? To this end, he made three inspired choices to fill out his band. Drummer Ronald Shannon Jackson was a veteran of Ornette Coleman's Prime Time ensemble as well as a past member of Cecil Taylor's volcanic mid-'70s bands. Sonny Sharrock had burst onto the scene in the late '60s with Pharoah Sanders, Don Cherry, and others, establishing a unique approach to free electric guitar playing, only to retreat from the scene before being lured out of retirement by Laswell. The wild card was German saxophone behemoth Peter Brötzmann, known for his classic, shatteringly intense album Machine Gun from 1968 as well as multitudes of subsequent recordings where a premium was placed on visceral, gut-wrenching interplay among musicians. Mix these elements together and Laswell (with his own funky, dub-heavy electric bass anchoring the proceedings) had an incendiary formula, one that perhaps couldn't hold together long but, while it did, it produced some amazingly powerful music. Never was this more in evidence than on this first, self-titled release, one of the very finest albums of the '80s. Entirely improvised, Last Exit nonetheless based most of its pieces on blues forms, even if highly abstracted. This bedrock allowed the musicians, particularly Brötzmann and Sharrock (whose early death in 1994 would cancel any possibility, however tenuous at that point, of the group's continuation) to freely explore the outer boundaries of their instruments, sublimely soaring over the down to earth and dirty rhythm team of Laswell and Jackson. This tension, strongly shown on the first four tracks here, reached almost unbearable degrees; its release when they would slide back into a groove leaves the listener utterly drained. Subsequent albums (notably Koln) would come close to attaining this level of intensity and creativity, but Last Exit ranks as a pinnacle both in Laswell's career and in the rock/free improv genre it spawned. A classic release, one that should be in the collection of anyone interested in either contemporary free improvisation or the more creative branches of rock.

:::Review by Brian Olewnick:::

Last Exit - Last Exit (1986)

1. Discharge (3:23)
2. Backwater (5:27)
3. Catch As Catch Can (2:10)
4. Red Light (7:54)
5. Enemy Within (3:47)
6. Crackin (7:46)
7. Pig Freedom (3:59)
8. Voice Of A Skin Hanger (1:43)
9. Zulu Butter (2:21)

Members: Bill Laswell, Peter Brötzmann, Ronald Shannon Jackson, Sonny Sharrock