Jazz Archives

You Know the Number is another outstanding record from the Henry Threadgill Sextet. Over the course of six originals, Threadgill and the band fuse complex and spirited arrangements with incisive solo work. The material includes the calypso-inspired numbers "To Be Announced" and "Bermuda Blues" (one of Threadgill's most straightforward compositions), as well as the bittersweet ballad "Silver and Gold Baby, Silver and Gold." Other songs, like "Theme From Thomas Cole" and "Those Who Eat Cookies," feature the kind of buoyant, march-like rhythms and spastic, cartoon soundtrack horn arrangements Threadgill favored. Throughout the set, the band revels in some lively New Orleans-style unison playing and contributes excellent solos (special mention should go to trumpeter Rasul Saddik for his adept and blazing solos, and also to drummers Pheeroan Aklaff and Reggie Nicholson for their propulsive and tight rhythmic support). As usual, Threadgill's solos include an intriguing mix of dark pathos and intensity, while bassist Fred Hopkins and trombonist Frank Lacy follow suit with intriguing contributions of their own. This title is a must for Threadgill fans and also worthwhile for those interested in the experimental side of jazz.

:::Review by Stephen Cook:::

Henry Threadgill - You Know The Number (1986)

1. Bermuda Blues 9:26
2. Silver And Gold Baby, Silver And Gold 5:45
3. Theme From Thomas Cole 6:39
4. Good Times 6:33
5. To Be Announced 6:27
6. Paille Street 4:26
7. Those Who Eat Cookies 6:16

Credits
Bass - Fred Hopkins
Cello - Diedre Murray
Percussion [Left] - Pheeroan Aklaff
Percussion [Right] - Reggie Nicholson
Saxophone [Alto, Tenor], Flute [Bass] - Henry Threadgill
Trombone - Frank Lacy
Trumpet - Rasul Sadik

Notes
Recorded directly to two-track digital tape at Uptown Chelsea Sound, NYC, October 12 and 13, 1986.
Note that track 6 does not appear on the LP.

This CD from altoist Henry Threadgill is a perfect mixture of improvisation and composition, hanging onto devices of the past while creating new music. Some of the ensembles (which match Threadgill with trumpeter Ted Daniels, bass trombonist Bill Lowe, cellist Diedre Murray, bassist Fred Hopkins, and both Newman Baker and Reggie Nicholson on drums) recall Ornette Coleman's Free Jazz with the cello-bass interplay inspired by the one-time team of Scott LaFaro and Charlie Haden. The organized horn parts and the riffs behind the lead voices are quite original and sometimes more interesting than the solos themselves. Of the four songs, "Off the Rag" at first dispenses with the melody quickly but the theme constantly pops up in surprising places. "The Devil" is highlighted by Murray's double-time cello runs behind Threadgill's alto while "Gift" contrasts colorful percussion with solemn long tones from the ensemble. "Sweet Holy Rag" has several sections including a pretty classical-like melody, a danceable rumba, a drum feature, and a fairly violent trumpet solo. However, the more one describes this music, the more seems to be left out. Highly recommended to open-eared listeners.

:::Review by Scott Yanow:::

Henry Threadgill - Rag Bush And All (1989)

1. Off The Rag (12:40)
2. The Devil Is On The Loose And Dancin' With A Monkey (6:44)
3. Gift (5:44)
4. Sweet Holy Rag (13:20)

Credits
Bass - Fred Hopkins
Cello, Co-producer - Diedre Murray
Drums, Percussion - Newman Baker , Reggie Nicholson
Producer - David Stone
Saxophone [Alto], Flute [Bass] - Henry Threadgill
Trombone [Bass] - Bill Lowe
Trumpet, Flugelhorn - Ted Daniels