:::The All Seeing Eye:::

Posted: Thursday, 1 October 2009 by jazzlover in Etykiety: , , , , , ,

Though some will argue about whether Wayne Shorter's primary impact on jazz has been as a composer or as a saxophonist, hardly anyone will dispute his overall importance as one of jazz's leading figures over a long span of time. Though indebted to a great extent to John Coltrane, with whom he practiced in the mid-'50s while still an undergraduate, Shorter eventually developed his own more succinct manner on tenor sax, retaining the tough tone quality and intensity and, in later years, adding an element of funk. On soprano, Shorter is almost another player entirely, his lovely tone shining like a light beam, his sensibilities attuned more to lyrical thoughts, his choice of notes becoming more spare as his career unfolded. Shorter's influence as a player, stemming mainly from his achievements in the 1960s and '70s, has been tremendous upon the neo-bop brigade who emerged in the early '80s, most notably Branford Marsalis. As a composer, he is best known for carefully conceived, complex, long-limbed, endlessly winding tunes, many of which have become jazz standards yet have spawned few imitators.

Wayne Shorter - The All Seeing Eye (1965)

1.The All Seeing Eye (10:30)
2. Genesis (11:42)
3. Chaos (6:54)
4. Face Of The Deep (5:27)
5. Mephistopheles (9:39)

Bass - Ron Carter
Drums - Joe Chambers
Flugelhorn - Freddie Hubbard
Piano - Herbie Hancock
Producer - Rudy Van Gelder
Saxophone [Alto] - James Spaulding
Saxophone [Tenor] - Wayne Shorter
Trombone - Grachan Moncur III
Trumpet - Freddie Hubbard

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